Matsuura Tomoya is SoundMaker: who makes a sound, makes instruments to make a sound, and makes environments to make the instruments.
He calls his own research area “Civil Engineering of Music”, which designs socio-technical infrastructure around sound and music critically through practices. He develops “mimium” a programming language for music(2019~), and does performances with “Exidiophone”, an electro-acoustic instrument that makes sound with only an audio-feedback. Currently working as Project Assistant Professor at Art Media Center in Tokyo University of the Arts. He also works as an engineer who does a technical direction, sound design and programming for commercial installations and other artists’ works.
This paper proposes λmmm: a call-by-value simply-typed lambda calculus-based intermediate representation of a programming language for music that deal with synchronous signal processing, as well as a virtual machine and instruction set to run λmmm.
Matsuura Tomoya is SoundMaker: who makes a sound, makes instruments to make a sound, and makes environments to make the instruments.
Matsuura Tomoya is SoundMaker: who makes a sound, makes instruments to make a sound, and makes environments to make the instruments.
He calls his own research area “Civil Engineering of Music”, which designs socio-technical infrastructure around sound and music critically through practices. He develops “mimium” a programming language for music(2019~), and does performances with “Exidiophone”, an electro-acoustic instrument that makes sound with only an audio-feedback. Currently working as Project Assistant Professor at Art Media Center in Tokyo University of the Arts. He also works as an engineer who does a technical direction, sound design and programming for commercial installations and other artists’ works.